COFFEE TABLE BOOK TALES: Everson’s Trio of Crime Film Classics

William K. Everson (1929 – 1996) was a film historian, educator and archivist who was one of the guiding lights in preserving films from the silent period through the 1940’s. Born in England, he emigrated to the U.S. in 1950 where he put his experience in film publicity to use for Monogram Pictures, a small, … Continue reading COFFEE TABLE BOOK TALES: Everson’s Trio of Crime Film Classics

REEL PROCEDURALS: From Headquarters (1933)

Without a doubt, the most prestigious film studio during Hollywood’s Golden Age was Metro-Goldwyn-Mayer. Under the auspices of its leader, Louis B. Mayer, MGM adapted classics and concentrated on wholesome family fare and “big pictures.” This was the era when actors were mostly shackled to one studio, and MGM boasted of having “more stars than … Continue reading REEL PROCEDURALS: From Headquarters (1933)

A LOOK AT BRIDGERTON: #MeToo with a Dash of Mmm Hmm Hmm

My friends are chattering about Bridgerton, the new Shonda Rhimes-produced series on Netflix. They compare it to Sanditon, the recent series based on an unfinished novel by Jane Austen that recently played on Masterpiece Theatre. There is little, however, of Austen beyond the surface of this new series. Bridgerton is more Agnes Nixon than Jane Austen; it is All My Children wrapped … Continue reading A LOOK AT BRIDGERTON: #MeToo with a Dash of Mmm Hmm Hmm

THE MAN, THE MOUSTACHES, THE MASTERPIECE: Ending the Year on a High Note

On March 14 of this anno horribilus, I suggested to all of you that whatever comes our way could be mitigated by reading a classic mystery. I suggested this because . . . well, that’s kind of what they were written for! Not that Agatha Christie and Freeman Wills Crofts and Sayers and Berkeley and the … Continue reading THE MAN, THE MOUSTACHES, THE MASTERPIECE: Ending the Year on a High Note