“There is no Frigate like a Book to take us Lands away . . . “ These words by Emily Dickenson were emblazoned on the bookplates my grandparents gave me when, at an early age, I declared my love for reading. I pasted them into every volume I owned and used up my stock long ago. … Continue reading PAT ON THE BACK: Meeting (Some of) My 2022 Goals
Hard-boiled Crime
THE 2022 ROY AWARDS: All in Love is (A.A.) Fair
“’Call a cab,’ she said. “’I have one waiting downstairs.’ “’Are you sporting taxi cabs for your private transportation?’ she asked. ‘Or did you think you were on an expense account?’ “I flared up and said, ‘I thought I was on an expense account.’ “She was silent for several seconds. I sat there wondering whether … Continue reading THE 2022 ROY AWARDS: All in Love is (A.A.) Fair
THROWING DOWN THE GAUNTLET: The Best Weapon
Our little circle of folks who enjoy Golden Age mysteries have found untold pleasures finding each other on the Internet. While Agatha Christie may be the most frequently published author of all time, I have become convinced that I may be the only person west of the Mississippi who – well, not reads her, but deep dive-reads her. … Continue reading THROWING DOWN THE GAUNTLET: The Best Weapon
“Inhuman, indecent, and the quintessence of gruesomeness . . . “Our Final Noir Triple-Bill
For our final 1950’s film noir class, our teacher Elliot Lavine handed us three films, and all I can say is . . . nobody said making it to the end in a noir world would be easy. First of all, these films are not all late examples; rather they span most of the decade, from 1953 – 1958, so you … Continue reading “Inhuman, indecent, and the quintessence of gruesomeness . . . “Our Final Noir Triple-Bill
AS GOODIS AS IT GETS: The Burglar and Nightfall
It takes a special person to write noir . . . a bitter, lonely person plagued with disease and/or mental illness, awash in booze and/or drugs, who somehow manages to produce these dark nuggets of gold before dying in some horrible, lonely, bitter fashion. Ah, the life of a writer! Don’t you wonder how Dashiell Hammett, Raymond … Continue reading AS GOODIS AS IT GETS: The Burglar and Nightfall
NOIR IN THE KEY OF KUBRICK: The Killing and Killer’s Kiss
Stanley Kubrick is an auteur who can irk me no end. There is always beauty in his formalistic layout of shots, but there can be coldness, too. He was also the slowest of the classic directors, sometimes taking years to put a film together. His career spanned roughly the same amount of time as that … Continue reading NOIR IN THE KEY OF KUBRICK: The Killing and Killer’s Kiss
THE EVIL THAT MEN DO: Kiss Me Deadly and The Big Combo
It’s hard to pinpoint precisely when film noir began and ended. Its antecedents lie in the silent era, in German Expressionism and in the Warner Brothers crime dramas of the 30’s. Our teacher Elliot Lavine offers a specific starting point – 1940’s Stranger on the Third Floor (which I discussed here) – and will rattle off a title or … Continue reading THE EVIL THAT MEN DO: Kiss Me Deadly and The Big Combo
TWO Bs OR NOT TWO Bs: 99 River Street and Crime Wave
There’s a moment toward the climax of 99 River Street when Evelyn Keyes dances up to psychopath Victor Rawlins (Brad Dexter) and lights her cigarette with his. It’s the dirtiest moment in a 50’s film I can remember, and I wondered how it got past the censors. The New York Times reviewer latched onto moments like this … Continue reading TWO Bs OR NOT TWO Bs: 99 River Street and Crime Wave
NE PLUS ULTRA-VIOLENT: Two Noirs from 1953
Revenge is sweet! Just ask Liam Neeson as he plows down the mobster clan/spy organization/terrorist cell when his cousin’s great niece’s best friend’s neighbor is . . . TAKEN! But do you remember when revenge was not sweet? When it was more sweet and sour? Ask Antigone. Ask Hamlet. And, by all means, ask Fritz Lang. In … Continue reading NE PLUS ULTRA-VIOLENT: Two Noirs from 1953
BLACKLIST BLUES: Two by Losey, One by Dassin
We’re almost halfway through my 50’s film noir class, and one major theme has emerged, that of the great number of directors and screenwriters, their Hollywood careers shut down by the Communist blacklist, who flocked to noir as an outlet to both make money and vent their feelings about our troubled country. Some of them, like writer Dalton Trumbo, … Continue reading BLACKLIST BLUES: Two by Losey, One by Dassin
Ah Sweet Mystery! 