The difference between Agatha Christie in the 1920’s and the 1930’s was, in every way, startling. Although she was thirty when she published her first novel, there was something of the gawky girl in Christie’s writing and the tragic romantic in her personal life. Of the nine novels she published between 1920 and 1929, five … Continue reading THE BRIDGE TWIXT GAD AND MODERNITY: Christie’s The Body in the Library
Author: Brad
PUTTING MORE BRAN(D) IN MY GAD(IET)
Christianna Brand has long been one of my favorite mystery writers. After Christie and Carr, Brand and Ellery Queen were the most formative authors of my lifelong obsession with all things GAD. The truth is, however, that I devoured the ten mystery novels Brand wrote over thirty years ago, and I never returned. Now that … Continue reading PUTTING MORE BRAN(D) IN MY GAD(IET)
GOING OCD ON MY GAD
Recently, I had the pleasure of listening to three blogger pals discuss John Dickson Carr on the podcast that two of them host on a bimonthly basis. Dan, of The Reader Is Warned, is an artist, and JJ, of The Invisible Event, is a mathematician, so between them they brought a lively blend of stats … Continue reading GOING OCD ON MY GAD
A GREAT CONVERGENCE: Agatha Christie’s Towards Zero
“I like a good detective story . . . But, you know, they begin in the wrong place! They begin with the murder. But the murder is the end. The story begins long before that – years before sometimes – with all the causes and events that bring certain people to a certain place at … Continue reading A GREAT CONVERGENCE: Agatha Christie’s Towards Zero
YA DYSTOPIAN DIVERTISSEMENT
Alright, I’ll admit it: this GAD mystery lover needs a little break. I could tell something was happening as I watched the stack of books beside my bed grow taller and taller. These are the one that I’ve removed from my veritable TBR Tower of Babel and am “actually" reading, yet each of them has … Continue reading YA DYSTOPIAN DIVERTISSEMENT
UNRELIABLE ME: The Woman in the Window
As mysteries go, you may know that I'm an "old soul." The unfortunate side effect of this is that my relationship to modern crime novels is . . . er, problematic. I get especially angry when today's writers create or seek comparisons with past greats. Only today, I picked up the latest Ruth Ware novel … Continue reading UNRELIABLE ME: The Woman in the Window
A MESSAGE TO MICHAEL (ON A TWO-TOON DAY)
You can tell summer vacation is going well when it races by. I’ve been busy! I’ve been playing a LOT of bridge. I wish I was getting better faster . . . but I do have to mention that I came in second a week ago in the 99er’s division at a local tournament. (Gimme a … Continue reading A MESSAGE TO MICHAEL (ON A TWO-TOON DAY)
THEATRICAL OCTET, PART FOUR: Strangers in a Strange Land
I went to New York this summer under the apprehension that the theatre world was in a bit of trouble. Tourism has been down in the Big Apple for several years now, and the high box office numbers point not to full houses and a play in every house but to exhorbitant ticket prices at … Continue reading THEATRICAL OCTET, PART FOUR: Strangers in a Strange Land
THEATRICAL OCTET, PART THREE: Social Upheaval on Broad
We view art through a lens that includes social context. It’s the reason you can see a movie or a painting or a play multiple times and have different reactions. As I explained yesterday, two classics became problem plays in light of the raucous atmosphere that has been generated over the past year and a … Continue reading THEATRICAL OCTET, PART THREE: Social Upheaval on Broad
THEATRICAL OCTET, PART TWO: Reconstructing the Classics
I consider myself lucky to be in New York when Bartlett Sher has directed a musical. His determination to tackle the great classics of musical theatre with the same loving care he puts into opera has proven a boon to audiences. I only saw South Pacific on tour, but I caught the original cast on … Continue reading THEATRICAL OCTET, PART TWO: Reconstructing the Classics
Ah Sweet Mystery! 