A CENTURY OF AGATHA CHRISTIE, PART THREE: Death – and Depth – in the 1940’s

“There is sometimes a deep chasm between the past and the future. When one has walked in the valley of the shadow of death, and come out of it into the sunshine – then, mon cher, it is a new life that begins . . . The past will not serve . . . “                         Sad Cypress (1940) Thirteen … Continue reading A CENTURY OF AGATHA CHRISTIE, PART THREE: Death – and Depth – in the 1940’s

A CENTURY OF AGATHA CHRISTIE, PART TWO: The Glittering 1930’s

“They say all the world loves a lover – apply that saying to murder and you have an even more infallible truth. No one can fail to be interested in a murder.”                                                                              The Murder at the Vicarage (1930) WORKS Seventeen Novels (as Agatha Christie) The Murder at the Vicarage (1930) The Sittaford Mystery (1931) Peril at End House (1932) … Continue reading A CENTURY OF AGATHA CHRISTIE, PART TWO: The Glittering 1930’s

A CENTURY OF AGATHA CHRISTIE, PART ONE: Roaring into the 1920’s

“Why not make my detective a Belgian? . . . A retired police officer. Not too young a one. What a mistake I made there. The result is that my fictional detective must really be well over a hundred by now.”                                                                          Agatha Christie’s Autobiography WORKS Nine Novels The Mysterious Affair at Styles (1920/21)  The Secret Adversary (1922) The Murder … Continue reading A CENTURY OF AGATHA CHRISTIE, PART ONE: Roaring into the 1920’s

WHY MINE EYES DIDN’T DAZZLE: Christie’s Sleeping Murder

2020: My pal JJ finishes his first run of reading Agatha Christie. Mazel tov, JJ! Because he tackled the books in order of publication, his last read was Sleeping Murder. His review came out yesterday. 1940: According to biographer Laura Thompson, Christie began a staggering period of production, probably egged on by the bombs of … Continue reading WHY MINE EYES DIDN’T DAZZLE: Christie’s Sleeping Murder