Toward the end of Agatha Christie: A Mysterious Life, biographer Laura Thompson writes: “It is a paradox, although, perhaps, not a surprise, but Agatha’s popularity should have increased as her powers declined. After 1950 she wrote a handful of brilliant and unusual books – Destination Unknown, Ordeal by Innocence, The Pale Horse, Endless Night, and Passenger to Frankfurt – but she produced her … Continue reading RANKING MARPLE #5: A Murder Is Announced
Agatha Christie
A CRIMINAL GAME FOR CHRISTIE FANS
Perhaps you have had a chance to see the trailer for Kenneth Branagh’s third (and possibly final?) Hercule Poirot film, A Haunting in Venice. https://www.youtube.com/watch?v=qVrKNPMG6Dk Perhaps it . . . confused you in a way that his previous films, Murder on the Orient Express and Death on the Nile did not. For despite the fact that Branagh’s Poirot sports a … Continue reading A CRIMINAL GAME FOR CHRISTIE FANS
“The most unkindest cut of all”: On Re-editing Christie
Fasten your seat belts: let’s talk about censorship. In March, the Guardian reported that Agatha Christie’s publisher, Harper Collins, would be scrubbing some of the more problematic language out of her books in future reissues: “The updates follow edits made to books by Roald Dahl and Ian Fleming to remove offensive references to gender and race in … Continue reading “The most unkindest cut of all”: On Re-editing Christie
RANKING MARPLE #4: Sleeping Murder
“’Miss Marple and Dr. Kennedy both said, “Leave it alone.” Why don’t we, Giles? What makes us go on? Is it her?’ “’Her?’ “’Helen. Is that why I remember? Is my childish memory the only link she’s got with life – with truth? Is it Helen who’s using me – and you - so that the truth will … Continue reading RANKING MARPLE #4: Sleeping Murder
THE PLAY’S . . . SORTA THE THING: Opening The Mousetrap
Today marks opening night for the production of The Mousetrap that I directed at the high school where I spent twenty-eight years teaching drama. I woke up all too early and checked my e-mail, only to find this missive, sent to the cast and crew from our play’s stage manager, a remarkable young woman named Kelania: "Hello, … Continue reading THE PLAY’S . . . SORTA THE THING: Opening The Mousetrap
BOOK CLUB DOES THREE-ACT TRAGEDY: A One-Act Comedy
The Members of Book Club (in order of appearance) Miss Dresden Mrs. Russet-Tate Arthur Mimms Gracie Mimms Mr. Panagotacos Oswald Ginch (Scene: Miss Dresden’s parlor. A small fire plays merrily in the grate. There is a comfortable settee, draped over with a lovely antimacassar, and three oddly assorted armchairs, on each of which rests a … Continue reading BOOK CLUB DOES THREE-ACT TRAGEDY: A One-Act Comedy
THE BUTTERFLY EFFECT: My Tea with Agatha
My experiences meeting famous people have been few and far between – and they never turned out as I might have expected. I’m not an autograph (or, in these days, selfie) hound. I don’t want to bother someone who has just performed for me or who is on vacation in order, just so I can … Continue reading THE BUTTERFLY EFFECT: My Tea with Agatha
RANKING MARPLE #3: The Moving Finger
“Of my detective books, I think the two that satisfy me best are Crooked House and Ordeal by Innocence. Rather to my surprise on rereading them the other day, I find that another one I am really pleased with is The Moving Finger. It is a great test to reread what one has written some 17 or 18 years … Continue reading RANKING MARPLE #3: The Moving Finger
BIG WHOOP: The Murder on the Links Turns 100
“When Conan Doyle popularized Sherlock Holmes in The Strand of the nineties, he lit such a candle as the publishers will not willingly let out. Not a week passes which does not bring a 'detective' story from one quarter or another, and . . . among the later cultivators of this anything but lonely furrow the name of Agatha … Continue reading BIG WHOOP: The Murder on the Links Turns 100
RANKING MARPLE #2: The Body in the Library
“For several years I treasured up the possibility of a suitable ‘Variation on a well-known Theme’. I laid down for myself certain conditions. The library in question must be a highly orthodox and conventional library. The body, on the other hand, must be a wildly improbable and highly sensational body.” Agatha Christie, in her Foreword … Continue reading RANKING MARPLE #2: The Body in the Library