UN VOYAGE DANS LES TENEBRES: Week 6 – The Champagne of Noir

The French didn’t so much invent film noir as identify and elevate it. They took genre more seriously than the American film industry, which saw golden financial returns for movies that were cheaply made. The studios were all about the almighty dollar. When Hitler was on the rise, Hollywood was reticent about taking a stand for an … Continue reading UN VOYAGE DANS LES TENEBRES: Week 6 – The Champagne of Noir

UN VOYAGE DANS LES TENEBRES: Week 3 – The Wide Swath of Warner Brothers

Mystery is my genre of choice, but my first love was the musical. Picture a kid of seven, reclining on his tummy in front of my parents’ enormous wi-fi stereo console. There I wore down the few cast albums we owned: Mary Martin and Ezio Pinza in South Pacific, Judy Holliday and Sydney Chaplin in Bells Are … Continue reading UN VOYAGE DANS LES TENEBRES: Week 3 – The Wide Swath of Warner Brothers

UN VOYAGE DANS LES TENEBRES: Week 2 – Film Noir Lite?

Warning: SPOILERS ahead!! Not all noir films are whodunnits, but I Wake Up Screaming and Laura most definitely are. If you haven’t watched either film yet . . . well, WHAT’S WRONG WITH YOU?!!? Put this down, and go watch these films immediately. Then we’ll talk! The two films we watched for our second Film Noir class with Elliot Lavine through Stanford University … Continue reading UN VOYAGE DANS LES TENEBRES: Week 2 – Film Noir Lite?

REEL LAUGHS: Mrs. O’Malley and Mr. Malone

“Forward: The producers of this picture feel that the attorney depicted herein should be disbarred and strongly suggest that the American Bar Association do something about it.” Recently, my friend Scott K. Ratner made the claim that the wild success of the film version of Dashiell Hammett’s The Thin Man (1934) did much to waylay the popularity … Continue reading REEL LAUGHS: Mrs. O’Malley and Mr. Malone

COFFEE TABLE BOOK TALES: Everson’s Trio of Crime Film Classics

William K. Everson (1929 – 1996) was a film historian, educator and archivist who was one of the guiding lights in preserving films from the silent period through the 1940’s. Born in England, he emigrated to the U.S. in 1950 where he put his experience in film publicity to use for Monogram Pictures, a small, … Continue reading COFFEE TABLE BOOK TALES: Everson’s Trio of Crime Film Classics

REEL PROCEDURALS: From Headquarters (1933)

Without a doubt, the most prestigious film studio during Hollywood’s Golden Age was Metro-Goldwyn-Mayer. Under the auspices of its leader, Louis B. Mayer, MGM adapted classics and concentrated on wholesome family fare and “big pictures.” This was the era when actors were mostly shackled to one studio, and MGM boasted of having “more stars than … Continue reading REEL PROCEDURALS: From Headquarters (1933)