It’s England, 1933, and Bertie Carroll is one of the most successful playwrights on the West End, with stage hits like Witness for the Defense, The Hollow Mousetrap, and And Now They Were Zero. Okay, I made those titles up, but you get the point: Bertie writes mystery plays, and he’s a hot ticket – just like what … Continue reading THE ROAR OF THE GREASEPAINT: Death on the Pier