EVOLUTION OF A COURTROOM MYSTERY: Witness for the Prosecution

They’re celebrating all mysterious things from 1957 over at Rich’s wonderful blog, Past Offenses, so I thought I’d join the party with some thoughts on Witness for the Prosecution, Billy Wilder’s film adaptation of Agatha Christie’s short story. Discussion will follow which necessitates spoiling the central gimmick of the story. Now, I can’t really imagine anyone … Continue reading EVOLUTION OF A COURTROOM MYSTERY: Witness for the Prosecution

FUGUE FOR TEN BODIES: Thoughts on Directing And Then There Were None

Last night was opening night for And Then There Were None, which I directed at the high school where I have been teaching drama for the past twenty-four years. I have been living with this production in my head for the past twelve months, and I approached it with mixed feelings of excitement and concern. … Continue reading FUGUE FOR TEN BODIES: Thoughts on Directing And Then There Were None

AGATHA CHRISTIE AS FEMINIST: Appointment With Death

In 1926, Agatha Christie’s husband Archie asked her for a divorce, having fallen in love with another woman. Her subsequent actions could be looked on as both revenge and empowerment: first, the famous “disappearance” which led to suspicions that Colonel Christie might have done away with his wife, and then a series of characterizations throughout … Continue reading AGATHA CHRISTIE AS FEMINIST: Appointment With Death