ALL THE WORLD’S A STAGE: Theatricality in Agatha Christie’s Novels and Stories

Let me set the stage for you . . .  Everyone who loves Agatha Christie has discovered her in their own unique way. Ask someone “What was the first Christie you read?”, and there are sixty-six possible answers – and that’s if you’re only counting her mystery novels. Each of us has our origin story, … Continue reading ALL THE WORLD’S A STAGE: Theatricality in Agatha Christie’s Novels and Stories

“WE GATHER TOGETHER” . . . Twelve Days of Ensemble Films

Ah, Christmas! A chance to assemble with our loved ones for some spiritual reflection, the trading of presents, a table laden with feasty things round which our beloved family sits. Such joy! Such peace! Such bliss! Unless your table is packed with drunken uncles, sullen teens and a clan that angrily encompasses both ends of … Continue reading “WE GATHER TOGETHER” . . . Twelve Days of Ensemble Films

THE POIROT PROJECT #15: Peril at End House

“Peril at End House was another of my books which left so little impression on my mind that I cannot even remember writing it.” (Agatha Christie, An Autobiography) Christie might not remember writing 1932’s Peril at End House because it was relatively easy to write. After the emotional drain of the late 20’s, Christie had put the “sorrow, despair … Continue reading THE POIROT PROJECT #15: Peril at End House

THE 2025 REPRINT OF THE YEAR: Brad’s 2nd Nomination

Every year, when Kate Jackson presents us with the list of republished classic mysteries and tells us to “pick our pair” for the annual Reprint of the Year contest over at Cross-Examining Crime, some of us play jump ball with the “big noise” titles in the hopes of coming up with the year’s winner. By “big noise,” I mean … Continue reading THE 2025 REPRINT OF THE YEAR: Brad’s 2nd Nomination