On the last day of June this year, I had the great good fortune to spend hours and hours in the company of two learned friends talking about Agatha Christie. If you turned into last week's episode of The Men Who Explained Miracles, JJ and Dan's blog about impossible crimes, JJ and I discussed the impossible … Continue reading THE MEN WHO TOOK A BREAK FROM EXPLAINING MIRACLES (The Second Conversation)
Agatha Christie
THE MAN WHO MET THE MEN WHO EXPLAINED MIRACLES: Part I
You all know I went to London and met a lot of people and saw a lot of presentations and had a lot of fun and bought two books that sort of stank . . . a lot. But the absolute highpoint of my trip was a Monday night at the end of June, in … Continue reading THE MAN WHO MET THE MEN WHO EXPLAINED MIRACLES: Part I
“ALL BIOGRAPHY IS STORY-TELLING” – Agatha Christie, A Mysterious Life
“And so the story endures, infinitely fascinating; and those who would lay it to rest, who would destroy its beauty by ‘solving’ it, are defeated at every turn.” This key statement comes at the center of Agatha Christie, A Mysterious Life, Laura Thompson’s remarkable biography of the author, which was published last year and which … Continue reading “ALL BIOGRAPHY IS STORY-TELLING” – Agatha Christie, A Mysterious Life
THE IRONIC FRAGILITY OF THE JAW-DROPPER ENDING
They are the solutions that you can’t forget, no matter how much you try. You desperately want to re-read and experience that delicious jolt you got the first time, but you can’t. There’s something so original or special or boundary-breaking about these books that often they end up at the top of many “best of” … Continue reading THE IRONIC FRAGILITY OF THE JAW-DROPPER ENDING
THE EYES HAVE IT: Christie and Hitchcock and the Point of View
So much has been written about my favorite filmmaker, Alfred Hitchcock – more than any other director, living or dead – that I would be hard-pressed to come up with any original thoughts about his life or work. That's because the French, including fellow auteur Francois Truffaut, elevated Hitchcock’s oeuvre from “mere” entertainment to art. … Continue reading THE EYES HAVE IT: Christie and Hitchcock and the Point of View
HONING YOUNG MINDS . . . TO MURDER!!!!!! – The 2019 Mystery Project
I have spoken before in this space about how every spring I twist my drama students’ arms offer my drama students a wonderful opportunity to create their own GAD-styled mystery plays! or else! This year is no exception. After whetting their script-writing whistles on the Peter Ustinov version of Evil Under the Sun (nobody in either class … Continue reading HONING YOUNG MINDS . . . TO MURDER!!!!!! – The 2019 Mystery Project
THIRTEEN EGYPTIANS SAT DOWN TO DINE: Christie’s Death Comes As the End
When we talk about Death Comes as the End, Agatha Christie’s 1944 tour de force set in ancient Egypt, conversation hovers around personal opinion about how well Christie balanced the mass of detail in this, the first ever historical mystery novel, with her trademark GAD plotting. But now that the book is about to receive its first … Continue reading THIRTEEN EGYPTIANS SAT DOWN TO DINE: Christie’s Death Comes As the End
GAME, SET AND (UN) MATCHED: A Discussion of Mirrors and Follies
Margot Kinberg taught me to seek inspiration in the words of my fellow bloggers, and that is what happened to me yesterday. My buddy Kate over at Cross Examining Crime re-read and reviewed Dead Man’s Folly. I figure that few Christie fans start a conversation with, “Oh, yes, and my favorite book of hers is … Continue reading GAME, SET AND (UN) MATCHED: A Discussion of Mirrors and Follies
FOR THIRTEEN PAGES, THE GAUNTLET IS THROWN
“I know there are lots of talented bloggers in this group. I have a suggestion for a future post: A proper rebuke to Raymond Chandler's essay, The Simple Art of Murder. For those of you who haven't read it, it's 13 pages and free online as a pdf. It is a scathing indictment of everything this … Continue reading FOR THIRTEEN PAGES, THE GAUNTLET IS THROWN
THOSE ELEVEN DAYS
Personal tragedy or publicity stunt? This is the question that has run circles around Agatha Christie’s fans since December 3, 1926, when Christie disappeared from her home after a fight with her husband, Archie. He had informed her that he wanted a divorce in order to marry his mistress, Nancy Neele, and when Agatha refused, … Continue reading THOSE ELEVEN DAYS
Ah Sweet Mystery! 