My opinion of actor Farley Granger changed forever last year when our film noir class watched 1948’s They Live by Night(aka Thieves Like Us). It was only Granger’s third film, his first with top billing, and he is revelatory here. I wrote previously about that film, about his heartbreaking performance and the disappointing trajectory his career would take … Continue reading “SLAUGHTER AND BE GAY”: Hitchcock and Farley Granger
Film Noir
A DIVINE SYNERGY: Hitchcock’s Notorious
“Of all your pictures, this is the one in which one feels the most perfect correlation between what you are aiming at and what appears on the screen . . . “(Francois Truffaut to Alfred Hitchcock) Notorious is the shining light of Alfred Hitchcock’s output in the 1940’s and his first true masterpiece. Oh, Rebecca won the Oscar, Foreign Correspondent is … Continue reading A DIVINE SYNERGY: Hitchcock’s Notorious
CLAP HANDS, HERE COMES CHARLIE: Hitchcock’s Shadow of a Doubt
Alfred Hitchcock arrived in Hollywood in 1939 under most auspicious circumstances. Fifteen years of work in his native England had produced over two dozen films, including future classics such as The Lodger (1927), The 39 Steps (1935), and The Lady Vanishes (1938), establishing the 40-year old as Europe’s premiere director. The three films mentioned, along with Blackmail (1929), The Man Who Knew Too Much (1934) … Continue reading CLAP HANDS, HERE COMES CHARLIE: Hitchcock’s Shadow of a Doubt
WEDNESDAYS AT THE MOVIES: Murders and Maguffins from the Master of Suspense
I’m a mystery book blogger by trade, but I warned you in my very first post that, from time to time, I would also talk about films – mystery films in particular. And who epitomizes such a film better than the Master of Suspense, and my favorite film director – Alfred Hitchcock? I often tell … Continue reading WEDNESDAYS AT THE MOVIES: Murders and Maguffins from the Master of Suspense
UN VOYAGE DANS LES TENEBRES – Le Bonus
Like a second-place contestant on Jeopardy, my fellow students and I weren’t allowed to leave our class on 1940’s film noir without a parting gift: our instructor Elliot Lavine sent us links to seven further films that he claims he could have added to our pile of twenty-four had their only been time. Not all of them are … Continue reading UN VOYAGE DANS LES TENEBRES – Le Bonus
UN VOYAGE DANS LES TENEBRES: Week 10 – Worshipping at the Alton of Noir
Ten weeks ago, I decided to share with you my journey through a world of 40’s film noir that I watched as part of my course “Primacy of the Visual,” taught by Elliot Lavine through Stanford University. Twenty-four films later, I am so grateful to Elliot for allowing me to visit a few favorites, for introducing me … Continue reading UN VOYAGE DANS LES TENEBRES: Week 10 – Worshipping at the Alton of Noir
UN VOYAGE DANS LES TENEBRES: Week 9 – The Great Schism
Well, it was bound to happen. After nine weeks of forty people gathering in a tiny Zoom room to marvel over all the 1940’s films noir that our instructor Elliot Lavine has shared with us, he finally presented a double bill of films that were, each in their way, so extreme that they managed to divide us. … Continue reading UN VOYAGE DANS LES TENEBRES: Week 9 – The Great Schism
UN VOYAGE DANS LES TENEBRES: Week 8 – Mid(century) Evil Woman
Most of the time it’s easy to kick back and enjoy an old movie for its story, its performances, and – as often happens in the case of film noir – its distinctive look. But sometimes, like when you’ve been sitting isolated for over fourteen months and you’ve been forced to watch one major political party do … Continue reading UN VOYAGE DANS LES TENEBRES: Week 8 – Mid(century) Evil Woman
UN VOYAGE DANS LES TENEBRES: Week 7 – Battle Noir Didactica
If you sit down to watch a film noir, you can expect to be both shaken and stirred. You might have to turn your head away a few times at the violence (or you might find yourself staring agog at the screen, baffled by what this sub-genre of film got away with in the mid-20th century.) You’ll certainly feel … Continue reading UN VOYAGE DANS LES TENEBRES: Week 7 – Battle Noir Didactica
UN VOYAGE DANS LES TENEBRES: Week 6 – The Champagne of Noir
The French didn’t so much invent film noir as identify and elevate it. They took genre more seriously than the American film industry, which saw golden financial returns for movies that were cheaply made. The studios were all about the almighty dollar. When Hitler was on the rise, Hollywood was reticent about taking a stand for an … Continue reading UN VOYAGE DANS LES TENEBRES: Week 6 – The Champagne of Noir
