We’re halfway through my film noir class with instructor Elliot Lavine. This week’s trio of films gave me the chance to revisit four old friends: Joan Bennett with Jonathan Frid Meet Joan . . . I first met Joan Bennett in the drawing room of Collinwood, a stately but troubled mansion on the hills overlooking the Maine … Continue reading UN VOYAGE DANS LES TENEBRES: Week 5 – Do Lang Do Lang Do Lang
Film Noir
UN VOYAGE DANS LES TENEBRES: Week 4 – Woe is Woolrich
Cornell Woolrich is like one of those old friends from school who you run into on the street after thirty years and you stop for coffee and he looks like he hasn’t washed thoroughly in a year and there’s something horribly wrong with his leg and he tends to mutter and he literally creeps you … Continue reading UN VOYAGE DANS LES TENEBRES: Week 4 – Woe is Woolrich
UN VOYAGE DANS LES TENEBRES: Week 3 – The Wide Swath of Warner Brothers
Mystery is my genre of choice, but my first love was the musical. Picture a kid of seven, reclining on his tummy in front of my parents’ enormous wi-fi stereo console. There I wore down the few cast albums we owned: Mary Martin and Ezio Pinza in South Pacific, Judy Holliday and Sydney Chaplin in Bells Are … Continue reading UN VOYAGE DANS LES TENEBRES: Week 3 – The Wide Swath of Warner Brothers
UN VOYAGE DANS LES TENEBRES: Week 2 – Film Noir Lite?
Warning: SPOILERS ahead!! Not all noir films are whodunnits, but I Wake Up Screaming and Laura most definitely are. If you haven’t watched either film yet . . . well, WHAT’S WRONG WITH YOU?!!? Put this down, and go watch these films immediately. Then we’ll talk! The two films we watched for our second Film Noir class with Elliot Lavine through Stanford University … Continue reading UN VOYAGE DANS LES TENEBRES: Week 2 – Film Noir Lite?
UN VOYAGE DANS LES TENEBRES: Notes on Film Noir – Week 1
Here’s what I think I know about film noir. It’s a style that nobody set out to invent. There was no meeting of minds that said, “Let’s invent a new genre.” Instead, directors – a great many of them expatriates from Europe, allowed the surreal visuals and dark mood of German Expressionism to affect the look … Continue reading UN VOYAGE DANS LES TENEBRES: Notes on Film Noir – Week 1
