THE EYES HAVE IT: Christie and Hitchcock and the Point of View

So much has been written about my favorite filmmaker, Alfred Hitchcock – more than any other director, living or dead – that I would be hard-pressed to come up with any original thoughts about his life or work. That's because the French, including fellow auteur Francois Truffaut, elevated Hitchcock’s oeuvre from “mere” entertainment to art. … Continue reading THE EYES HAVE IT: Christie and Hitchcock and the Point of View

THOSE ELEVEN DAYS

Personal tragedy or publicity stunt? This is the question that has run circles around Agatha Christie’s fans since December 3, 1926, when Christie disappeared from her home after a fight with her husband, Archie. He had informed her that he wanted a divorce in order to marry his mistress, Nancy Neele, and when Agatha refused, … Continue reading THOSE ELEVEN DAYS

GAD = GORY AND DARK: Sarah Phelps Takes On the Establishment

The latest BBC rendition of an Agatha Christie classic , 1936’s The ABC Murders, has just dropped onto Amazon Prime. Now we forward-thinking Americans can add our two cents to the European reaction over Sarah Phelps’ treatment of the Mistress of Mystery. (I believe the words “Burn the witch and her laptop!” have been uttered in … Continue reading GAD = GORY AND DARK: Sarah Phelps Takes On the Establishment

THE FACE OF ME BEING MAD: The Crooked House Movie

Last week, I wrote about Agatha Christie’s novel Crooked House. I wrote about it because last year it was announced that finally – finally! – a movie would be made based on this, one of her darkest titles. The announcement came close on the heels of another revelation that Kenneth Branagh would be remaking Murder … Continue reading THE FACE OF ME BEING MAD: The Crooked House Movie