Most of the time it’s easy to kick back and enjoy an old movie for its story, its performances, and – as often happens in the case of film noir – its distinctive look. But sometimes, like when you’ve been sitting isolated for over fourteen months and you’ve been forced to watch one major political party do … Continue reading UN VOYAGE DANS LES TENEBRES: Week 8 – Mid(century) Evil Woman

If you sit down to watch a film noir, you can expect to be both shaken and stirred. You might have to turn your head away a few times at the violence (or you might find yourself staring agog at the screen, baffled by what this sub-genre of film got away with in the mid-20th century.) You’ll certainly feel … Continue reading UN VOYAGE DANS LES TENEBRES: Week 7 – Battle Noir Didactica

Mystery is my genre of choice, but my first love was the musical. Picture a kid of seven, reclining on his tummy in front of my parents’ enormous wi-fi stereo console. There I wore down the few cast albums we owned: Mary Martin and Ezio Pinza in South Pacific, Judy Holliday and Sydney Chaplin in Bells Are … Continue reading UN VOYAGE DANS LES TENEBRES: Week 3 – The Wide Swath of Warner Brothers

Warning: SPOILERS ahead!! Not all noir films are whodunnits, but I Wake Up Screaming and Laura most definitely are. If you haven’t watched either film yet . . . well, WHAT’S WRONG WITH YOU?!!? Put this down, and go watch these films immediately. Then we’ll talk! The two films we watched for our second Film Noir class with Elliot Lavine through Stanford University … Continue reading UN VOYAGE DANS LES TENEBRES: Week 2 – Film Noir Lite?

Here’s what I think I know about film noir. It’s a style that nobody set out to invent. There was no meeting of minds that said, “Let’s invent a new genre.” Instead, directors – a great many of them expatriates from Europe, allowed the surreal visuals and dark mood of German Expressionism to affect the look … Continue reading UN VOYAGE DANS LES TENEBRES: Notes on Film Noir – Week 1