A LICENSE TO THRILL: A Line to Kill

“‘We’re going to miss you,’ (the receptionist) said. ‘We’re not used to this sort of excitement here in Alderny. We’ve never had a murder here before.’“‘You’re not the first person to tell me that,’ I said.” When it comes to literary festivals, Anthony Horowitz knows whereof he speaks. The creator of Midsomer Murders and Foyle’s War, reviver in … Continue reading A LICENSE TO THRILL: A Line to Kill

SPIELBERG’S WEST SIDE STORY: Update or Improvement?

In 1957, when live theatre still rivaled movies for social relevance, and the latest Tin Pan Alley songs burst through the radio and were hummed everywhere, Broadway was teeming with musicals. Considering that the heyday of musical theatre was the 1930’s-1940’s, what’s interesting is how experimental the major composers got. Lerner and Loewe’s Brigadoon enchanted audiences with its … Continue reading SPIELBERG’S WEST SIDE STORY: Update or Improvement?