
I love my buddies Sergio Angelini and Nick Cardillo. We are three lifelong mystery fans who are joined at the hip. At the same time, we all have different tastes, different preferences – which makes the times we get together to talk about our favorite genre so very stimulating. This spring, we gathered for a solid four-hour drafting session in order to put together our list of the Twenty Greatest Literary Detectives of All Time. I promised you then that this was only the beginning – our big summer draft is just around the corner, and as before, we going to let YOU, my dear readers, have a say in who will make the list.
What list is that going to be, you ask. Well, draw up a seat and let me tell you . . .

Mysteries have been a popular film entertainment since the cinema was in its infancy. Back in 1900, a thirty-second long strip of celluloid called Sherlock Holmes Baffled (1900) became the first detective story ever put on film. It should come as no surprise that Holmes – who made the top of our list of the Twenty Greatest Literary Detectives last March – is not only the most frequently portrayed sleuth of all time, he may be the most prolific character to appear onscreen. He inspired many early films, such as Adventures of Sherlock Holmes in 1905, Arsene Lupin contra Sherlock Holmes in 1910, and A Study in Scarlet in 1916. A whole slew of fine actors have portrayed the Greatest Detective of Them All, including John Barrymore, Raymond Massey, Basil Rathbone, Peter Cushing, Nicol Williamson, Christopher Plummer, Michael Caine, Ian McKellen, and many, many more.

And Holmes is just the beginning! Dozens of literary detectives have been portrayed on film. Eighteen of the twenty detectives that made our spring list have appeared on the big and/or small screen. The only two sadly missing are the two sleuths created by John Dickson Carr – a serious lapse of judgment on Hollywood’s part, if you ask me. And our list only scratches the surface! Plus, there are dozens more who were created strictly for the movies!
Which of them were the best?
I can’t promise you that the Three Amigos can answer that question to anyone’s satisfaction (although I personally know the correct answer!), but it will be foremost in our minds when we gather together on the 7th of June to decide the Twenty Best Screen Detective Performances of All Time.
As we did for our first topic this year, each of the Three Amigos will be drafting six picks, and the order of our selection will be determined by random draw. That leaves two slots open – and YOU are going to decide who fills those slots. The way you do that is to nominate your favorite screen performance of a detective role. Either place your nomination in the comments below, or email me at ahsweetmysteryblog@gmail.com. Nominations will be accepted up through Monday, June 1st. The two highest vote-getters will be guaranteed a place on our list, and their spot in the draft will be determined by whichever player chooses to claim one of the Readers’ Picks as a turn.
Here’s what you should no in order to make a nomination that actually qualifies for the draft.
- The performance must have originated on the big screen. The world of TV detectives is so vast and marvelous that it must have a draft of its own. (Hopefully, next year!) This time around, it’s movies only, please.
- The detective being portrayed does not have to have originated in another medium, like literature or theatre. Literary characters that have transferred to film are indeed welcome, but so are characters that have been created for the movies.
- If an actor portrayed a character in only one film, it counts. If he or she played it in a series of films, it counts as one nomination. If two or more actors played the same character, even if it was part of the same series – this requires two separate nominations and would take up two slots.
- A detective character is eligible to appear more than once on our list if multiple actors who played the role are drafted.
- An actor is eligible to appear more than once on our list if he or she has played more than one detective in their career and multiple roles are considered the very best.
- You are not limited in your nominations by time period, by country, or even by genre. Detectives have appeared in films all over the world since the movies began. (Just remember that the performance you loved in that Latvian film that has never been released in English-speaking countries or given subtitles or been dubbed may not have been seen by very many of us!)
The Three Amigos all have our fingers crossed that you will inundate us with nominations. All of your choices will go on a list, and then just before we draft, I will tally up all the votes, and the top two vote-getters will end up on our draft as READERS’ CHOICE picks. We will have to play your top two picks, although we do have the right to control their placement.
And now, my friends, it’s up to you. Sift through your memories, your old movie books, or your DVD collection. Who are your favorite movie sleuths?
Start nominating now!!!



Hi there!My nominee is the detective of Daniel Craig
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Benoit Blanc is one of my favorites, so I’ll bet there’s a good chance!
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I recognised the quote from the article preview before even seeing the image! So you can count this as a suggestion for Nick Charles. Seconding Benoit Blanc ofc. Having watched the Green For Danger adaptation recently, Alastair Sim’s Cockrill is fantastic.
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The 70’s gave us a lot of great detectives, most of whom had little to do with the golden age style of sleuth.
Harry Moseby in Night Moves (1975) I know this is the furthest thing from traditional whodunnit detectives. In fact, he’s the opposite in a lot of ways. He’s observant, but he misses the most important clues, he’s passive–adrift even, he doesn’t understand himself and that translates to the way he sees the world, he doesn’t have a code to break. He is the worst detective. It’s fascinating. to watch Gene Hackman struggle through it. There’s a scene where Moseby talks about hating Eric Rohmer “It’s like watching paint dry.” In an interview, Rohmer accepted the criticism until it was explained to him that both Arthur Penn and Alan Sharp were huge fans of Rohmer’s work. The line was a criticism of Harry Moseby.
JJ Gittes in Chinatown and especially The Two Jakes. I’m a sucker for Nicholson, especially the combination of the confidence and the vulnerability.
Elliott Gould as you-know-who in The Long Goodbye. The more I watch it, the more I’m convinced of its brilliance. The casual disgust of Gould, holding it all in until the snark explodes into violence. It’s gorgeous.
And one more — Ira Wells in The Late Show. Wells is a detective who’s lost the physical ability to do the job and has to team up with a younger co-sleuth. The pairing of Lily Tomlin and Art Carney is divine. I guess Margo has to be included.
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One of these is already on my own list. I recently listened to a podcast that went into raves about Night Moves, so I have to find that one and watch it. I’ve also never seen The Late Show!!! But I did watch The Long Goodbye in a film class a couple of years ago. I found it strange, both as a Robert Altman film and a so-called film noir. I think I have to give it another chance. But thanks for all the noms, Burnside – they will all be considered!
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